

This year’s NARM/A2IM Music Business Crash Course will take place on Friday, May 14th and Saturday, May 15, 2010 at the downtown Hilton Chicago. The Crash Course features educational presentations and panel discussions focused on the independent sector, a must for independent music labels, artists, technology companies and students to remain current in the the transforming music economy. After drawing a record crowd of over 175 satisfied people last year, members have requested the course be expanded from one day to two days this year.
This year’s NARM/A2IM Music Business Crash Course will focus on how independent artists and labels have greater access in the emerging digital world. The next level of promotion and sales is now, more than ever, possible and can now happen in the independent sector as the playing field is being leveled via the numerous promotional channels and the ability to do direct-to-fan marketing and commerce. However, there are a new set of complex rules you need to learn to get ahead. As Thomas Friedman of the New York Times wrote in his book in 2005, the world is now flat! Everyone who embraces the digital model and learns the rules now has access to a global market for both promotion and sales and can compete.
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Hear NARM President Jim Donio speak with “The Local Tourist” about the Crash Course at the following link: http://www.thelocaltourist.com/blog/chicago/interview-narm-president-jim-donio
Donio also had the chance to speak with the Chicago Music Commission Crash Course. Take a listen …
http://www.chicago-music.org/jim-donio-interview-narm/
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Preliminary Schedule
Friday, May 14
8:30 – 9:10 PM
The Music Landscape: Curriculum Overview
Where the music industry has been, where it is now, and where it’s going.
Presenter
- Rich Bengloff, American Association of Independent Music (A2IM)
9:15 – 9:45 AM
Artist Economics: What Artists & Labels Both Need To Know
Presenter
- Rich Bengloff, A2IM
9:45 – 10 AM
Break
10 – 10:30 AM
Artist Economics: What Artists & Labels Both Need To Know, Continued …
Presenter
- Rich Bengloff, A2IM
10:30 – 11:15 AM
Artist Panel: What I Wish I Had Known
A look at some key things every artist should watch out for.
Moderator
- Ted Cohen, TAG Strategic
Panelists:
- Jonatha Brooke, PRA/Bad Dog
- Alison Brown, Compass Records
- Rick Nielsen, Cheap Trick Unlimited/Big3 Records
- Garry West, Compass Records
- other artists to be announced
11:15 – 11:30 AM
Break
11:30 AM – 12:30 PM
Publishing & Licensing Income: How To Expand Income Beyond Recorded Music
This panel will look at alternative income streams to music sales … some you may have already thought of, and some you may not have.
Moderator
- Richard Bengloff, A2IM
Panelists
- Larry Mills, Getty Images
- Paul Morgan, Cherry Lane
- Jim Powers, Minty fresh
- Jessica Sobhraj, Sir Groovy
- Patrick Sullivan, RightsFlow
12:30 – 1:15 PM
Lunch Break
1:15 – 2:30 PM
Label Economics: So You Want To Be A Music Mogul …
Here’s the basics of what every future label head needs to know.
Presenter
- Richard Bengloff, A2IM
2:30 – 2:45 PM
Break
2:45 – 3 PM
Open Q&A
3 – 3:45 PM
Label Panel: The Bottom Line Counts, Too!
Industry veterans will discuss the trials and tribulations of starting out in the music business, telling you what they did wrong and what they would do today if they could do it over again.
Moderator
- Richard Bengloff, A2IM
Panelists
- Beni B, ABB Records
- Jim Ginsburg, Cedille Records
- Bruce Iglauer, Alligator Records
- John Palmer, Megawave
- Jon Strickland, Epitaph
3:45 – 4 PM
Break
4 – 5 PM
Outsourcing For Knowledge & Profits So You Can Focus On A&R & Marketing
A look at how to create and run your label on a cost-effective basis, this session explores whether you as an artist or label should hire your own internal staff or avail yourselves of external resources to create a project-by-project team.
Mderator
- Richard Bengloff, A2IM
Panelists
- Connie Harrison, Rovi
- David Macias, Thirty Tigers
- Ian Rogers, Topspin
- Alicia Yaffe, Rocket Science
5 – 5:30 PM
Open Q&A & Close of Day 1
Saturday, May 15
8:30 – 9:30 AM
Keynote: The Digital World
Keynoter
- Ted Cohen, TAG Strategic
9:30 – 10:30 AM
Going To Market: Digital & Mobile
This session answers the question of how to get your music into digital stores, and — just as importantly — how to get spotlighted so you’re not lost in the crowd.
Moderator
- Bill Wilson, NARM
Panelists
- Edith Bellinghausen, Razor & Tie
- Tom Borscheid, The Orchard
- Matthew Schwartz, Verizon Wireless
- Tom Silverman, Tommy Boy Entertainment
- Konny Zsigo, Wireless Developer Agency
10:30 – 10:45 AM
Break
10:45 – 11:30 AM
Going To Market: Physical
This session will help you understand how to get your product in the physical store, and how to capture consumer attention.
Panelists:
- Andy Kotowitz, Sub Pop Records
- Michael Kurtz, Music Monitor Network
- Bill McNally, Burnside Distribution
- Carl Mello, Newbury Comics
11:30 – 11:45 AM
Break
11:45 AM – 12:30 PM
Social Networks & Traditional Promotions: Promotion For Pay, Both Ways!
This panel answers the questions of how to 1. get played at radio, and 2. inexpensively navigate through the glut of annual releases to get noticed via promotions that results in performance income and music sales for labels and artists.
Panelists:
- Mike Doernberg, ReverbNation.com
- Jon Landman, The Syndicate
- Jeff McClusky, JMA
- Pandora speaker TBD
12:30 PM
Conclusion of the Crash Course
Established in 1958, the National Association of Recording Merchandisers (NARM) is the leading trade association for music retailers; wholesalers; distributors; record labels; multimedia suppliers; technology, telecommunications and media companies; suppliers of related products and services; and individual professionals and educators in the music business. The Association advances the promotion, marketing, distribution, and sale of music by providing its members with a forum for diverse meeting and networking opportunities, information, and education to support their businesses, as well as advocating for their common interests. NARM’s retail members operate thousands of physical, digital and mobile storefronts that account for about 90% of the music sold in the U.S. market.
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